Credits

five-pillars-of-islam

Five upright pillars standing side by side, supporting a single simple roofline to suggest the structure of a house. Each pillar carries one label, left to right: 1) Shahadah: belief in Allah and His Messenger, 2) Salah, prayer, 3) Sawm, fasting, 4) Zakat, giving, 5) Hajj, pilgrimage. Clean, flat, geometric style with no photographic imagery; a small icon above each label (a heart for Shahadah, a praying figure for Salah, a crescent moon for Sawm, a coin or open hand for Zakat, and the Kaaba as a simple black cube for Hajj).

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

grave-qiblah-diagram

A respectful schematic diagram of a grave, in two parts, with no depiction of a body. Part one: an overhead view showing the grave as a simple rectangular outline, with a narrower niche (the lahd) shown cut into the side wall that faces the qiblah, and an arrow labelled 'qiblah' pointing in the direction the niche opens towards. Part two: a small side cross-section showing the niche as a shelf-like recess at the base of one wall of the grave, with a dashed outline (not a human figure) lying on its side within the niche to indicate the orientation only, facing the same qiblah arrow. Label 'lahd (niche)' and 'qiblah direction' clearly. Keep the whole diagram abstract, geometric and dignified, no facial features, no realistic body shape, no shroud detail.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

eid-takbir-diagram

A two-row sequence diagram, one row per rakat of the Eid prayer. Row 1 (first rakat, left to right): a standing figure icon labelled 'Takbīrat al-Iḥrām + Thanā'', then three small identical 'Allāhu Akbar' takbir marks in a row labelled 'x3 (wājib, each separately)', then an arrow into a box labelled 'Sūrat al-Fātiḥah + a sūrah (aloud)', then icons for rukū' and two sajdahs. Row 2 (second rakat, left to right): a standing figure labelled 'Sūrat al-Fātiḥah + a sūrah (aloud)', then three small 'Allāhu Akbar' takbir marks labelled 'x3 (wājib, each separately)', then a fourth, visually distinguished takbir mark labelled 'takbir for rukū' (wājib)' with an arrow leading straight into the rukū' icon, then two sajdah icons. A caption beneath the two rows reads: 'Six takbirs beyond the usual opening takbir: three before the recitation in the first rakat, three after the recitation in the second rakat, plus the wājib takbir for rukū' in the second rakat.' Use a simple, flat icon style consistent with the site's other diagrams; no photographic or realistic figures.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

fasting-day-timeline

A horizontal diagram of a single fasting day plotted against the sun's path. The sun sits low on the left at a point labelled 'True dawn (fajr), the fast begins'; a thin band of pre-dawn twilight is shaded just before it, with a small food-and-drink icon crossed out starting exactly at that line. The sun arcs upward through late morning to a peak at midday (labelled faintly as 'zawal, midday' with a small tick mark, not a boundary of the fast), then descends across the afternoon. On the right, the sun touches the horizon at a point labelled 'Sunset (maghrib), the fast ends', where the crossed-out food-and-drink icon stops and a small crescent-and-star or date icon marks iftar. The whole arc between the two labelled points is shaded or underlined in one consistent colour to show it is a single continuous fast, distinguishing it clearly from the unshaded night portions on either side. Labels are in plain English with the Arabic terms (fajr, zawal, maghrib) given in parentheses. No clock times are shown, since these shift with the calendar and location, only the sequence of sky events matters.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

jumuah-rows-diagram

A bird's-eye diagram of the prayer hall showing how the rows (sufuf) behind the imam are formed and filled. The imam stands alone at the front, facing the qiblah wall (mihrab). Row 1, directly behind him, is drawn completely full, worshippers shoulder to shoulder with no gaps. Row 2 is drawn only partly relevant until row 1 is shown full, label it 'fill only once row 1 is complete'. Row 3 is drawn empty with a dashed outline, labelled 'not started until row 2 is full'. A curved arrow runs from the back of the hall to a gap in row 1, labelled 'a latecomer moves forward to close a gap even in a full row, before the sermon starts'. At the end (not the middle) of one row, draw two smaller figures labelled 'boys are placed at the end of a row, not in the middle'. Outside the rows entirely, near the wall, draw one small child with a label 'a child under seven is not brought into the rows'. Keep the style simple and schematic (circles or simple standing figures viewed from above), suitable for both light and dark backgrounds.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

ghusl-order

Eight square panels in step order, in the style of the wudu figure (flat dark-ink line art on off-white, one teal accent, the washed area in a pale teal wash, no faces): (1) two hands palms up under a stream, washed to the wrists, the wudu hands panel reused; (2) a person seen from behind in a waist cloth from waist to below the knee, a stream of water falling beside the hip, nothing exposed; (3) two cupped hands under a stream holding a bar of soap, with lather; (4) a head in profile with both hands cupped under a stream, lifting water to the face; (5) a head seen from behind with both hands on it under a stream, the whole head wet and water running down the neck; (6) the bare back seen from behind, a stream falling on the right shoulder (the viewer's left) and that side of the back washed; (7) the same, mirrored, on the left shoulder; (8) the back seen from behind, waist cloth below, both hands reaching round to rub it, the back washed and lathered. The panel numbers and labels are set in HTML, not drawn.

Author

islamicmanual.com

Made with

Google Nano Banana, from written briefs in docs/figure-prompts.md, squared and one panel mirrored by scripts/prepare-panels.ts; each panel reviewed against the ruling it illustrates

Licence

CC0-1.0

Status

open

hajj-miqats-map

A simplified map-style diagram centred on the Ka'bah / Makkah, showing the five miqat boundaries as a ring of points around it, each labelled with its name and the region or direction of pilgrims it serves: Dhu'l-Hulayfah (Abyar 'Ali) to the north-west, for pilgrims from Madinah; al-Juhfah / Rabigh to the north-west (nearer the coast), for pilgrims from Egypt, Syria and the Maghrib travelling via Tabuk; Qarn al-Manazil to the east, for pilgrims from Najd; Yalamlam (Sa'diyyah) to the south, for pilgrims from Yemen, Tihamah and India; and Dhat 'Irq / Wadi al-'Aqiq to the north-east, for pilgrims from Iraq. Use simple labelled dots or pins connected by dashed lines to Makkah at the centre, with small distance labels where given in the text (196 miles for Dhu'l-Hulayfah, 32 miles for Yalamlam, 42 miles for Dhat 'Irq). Include a small compass rose and a one-line caption noting that a pilgrim travelling between two miqats follows the ruling of whichever miqat their route corresponds to. No photographic imagery; flat schematic style consistent with the site's other diagrams.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

ihram-garments-diagram

Two side-by-side simple line-drawing figures of a man wearing the two unsewn white sheets of Ihram, front view, modest and non-facial (faceless or simplified features, consistent with the site's other human-figure illustrations). Figure 1, labelled 'Normal wear': the izar (lower sheet) wrapped around the waist and tied, covering from the navel to below the knee; the rida (upper sheet) draped evenly over both shoulders and down the back and front, both shoulders covered. Figure 2, labelled 'Idhtiba' (worn during tawaf)': the same two garments, but the rida is pulled from under the right armpit and thrown over the left shoulder, leaving the right shoulder and upper arm bare. Add small labels pointing to the izar and the rida on Figure 1. Flat, schematic, non-photographic style matching the site's existing diagrams (e.g. WuduSteps).

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

hajj-days-map

A simplified schematic map (not to scale) showing four labelled locations in a rough line: 'Makkah' on the far left, then 'Mina', then 'Muzdalifah', then 'Arafat' on the far right, connected by a single road drawn as a line with small arrowheads showing the direction of travel from Makkah out to Arafat and back. Each location has a small day-label beneath it showing when pilgrims are there: Mina: '8th (Tarwiyah), 10th–13th nights'; Arafat: '9th (standing until sunset)'; Muzdalifah: 'night of 9th–10th'; Makkah: '10th (Tawaf al-Ziyarah), and before/after'. A small return arrow curves from Arafat back through Muzdalifah and Mina to Makkah, labelled 'the route back'. No people, buildings in detail, or faces; flat schematic map style in the site's accent colour, legible at a small size on a phone.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

jamarat-diagram

Three low, labelled walls (the Jamarat) drawn side by side in a row, each shown as a short thick vertical bar rising from a low circular collection basin. From left to right they are labelled 'Jamrat al-Sughra (small)', 'Jamrat al-Wusta (middle)', and 'Jamrat al-Aqabah (big)'. A small stick-free pictogram of a hand throwing a pebble is shown beside each, with seven small dots arcing towards each wall to represent the seven pebbles. A caption beneath reads 'Stoned in this order, each day of Tashriq, dua is made standing after the first two, not after the third.' No people or faces are depicted; flat line-diagram style in the site's accent colour, legible at a small size on a phone.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

janazah-rows-diagram

An overhead schematic diagram of the funeral prayer arrangement, with no human figures. A simple rectangle at the front represents the bier, drawn with a small arrow beside it labelled 'qiblah' showing the direction everyone faces. A single short horizontal mark, level with the middle of the bier (representing the chest of the deceased), represents the imam standing alone. Behind the imam, up to three straight horizontal rows of short evenly-spaced marks or dots represent the worshippers standing shoulder to shoulder, labelled 'row 1', 'row 2', 'row 3' with an example count (three, then two, then one) to match the arrangement used when there are only seven people present. Keep the whole diagram abstract and geometric, no depiction of people, faces or bodies, only labelled marks and arrows.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

kafan-man-diagram

A respectful schematic diagram, with no human figure and no depiction of a body, showing the three pieces of a man's kafan. Panel one: the pieces laid out flat from a top-down view, in the order they are prepared, the large sheet at the bottom, the waistcloth on top of it, and the shroud (tunic-like garment) on top of that, with one half of the shroud shown spread out towards the head end and the other half folded back. A dashed outline may represent where the body will lie, but no figure, face, or body shape should be drawn. Panel two: the folding order, shown as simple overlapping rectangles with arrows, the waistcloth folded left side first then right side over it, then the sheet folded the same way, with short tie-marks indicated at the head, waist and feet. Label each piece (sheet, waistcloth, shroud) in plain English.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

kafan-woman-diagram

A respectful schematic diagram, with no human figure and no depiction of a body, showing the five pieces of a woman's kafan. Panel one: the pieces laid out flat from a top-down view in the order they are prepared, the large sheet at the bottom, then the chest cloth, then the waistcloth, then the shroud (tunic-like garment) on top, with the headscarf shown as a separate small rectangle to one side. A dashed outline may represent where the body will lie, but no figure, face, or body shape should be drawn. Panel two: the wrapping order, shown as simple overlapping rectangles with arrows, the headscarf placed over the head end, then the waistcloth folded left then right, then the chest cloth, then the sheet, each folded left side first then right side over it. Label each piece (sheet, chest cloth, waistcloth, shroud, headscarf) in plain English.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

prohibited-marriages-family-tree

A family-tree diagram centred on a man, with the women he can never marry picked out in the accent colour and labelled by relationship, in two groups. Group one, blood relations (by lineage or fosterage, drawn with a note that a foster relationship prohibits marriage the same way): mother, and grandmothers on both sides going up; daughters and granddaughters going down; sisters (full, and sharing only one parent); paternal aunts and their line of ancestor's sisters; maternal aunts and their line; nieces through brothers and through sisters. A small side-note box states that the children of aunts and uncles (cousins) are not on this list and may be married. Group two, in-laws by marriage (affinity), shown as a separate branch attaching at the point of marriage: the wife's mother and grandmothers; the wife's daughters from a previous relationship (noted as prohibited only once the marriage is consummated); the wives of the man's father, grandfather, son and grandson. No faces are drawn; each box is a plain labelled rectangle connected by lines showing the family relationship, flat line-art style with no colour other than the neutral outline and one accent colour for the prohibited women.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

garment-washing-steps

Three square panels in the style of the wudu figure (flat dark-ink line art on off-white, one teal accent, no faces), showing how cloth carrying an unseen impurity is wrung: (1) two hands hold a plain rectangular cloth by its upper corners under a stream of water, the cloth filled with the pale teal wash and dripping; (2) the same cloth twisted into a rope between two fists, still filled, water pouring from the twist; (3) the same twisted cloth squeezed again between the fists, unfilled, with no water anywhere. The teal fill means water held in the cloth, so its absence in the last panel is the test of a thorough wringing. The count of three is carried by the HTML caption, not the drawing.

Author

islamicmanual.com

Made with

Google Nano Banana, from written briefs in docs/figure-prompts.md, background matched by scripts/prepare-panels.ts; each panel reviewed against the ruling it illustrates

Licence

CC0-1.0

Status

open

congregation-rows-diagram

A bird's-eye diagram of a congregation facing the qiblah (an arrow at the top marks the direction). The imam stands alone, centred, ahead of the first row. Behind him, straight rows of male followers are shown shoulder to shoulder, filling each row from the centre outward before a new row starts. A note callout shows a single follower standing directly beside the imam rather than behind, for the case of only one follower. A separate small inset shows the order of rows from front to back: men, then young boys, then women at the very back.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

man-woman-sajdah-qadah-difference

Two side-by-side pairs of figures, modestly dressed, no facial features. Left pair: sujud, the man's forearms and elbows are raised clear of the ground and his sides are open away from his body; the woman's forearms rest flat on the ground, her elbows and arms drawn in close to her sides, her body compact and low. Right pair: qa'dah (sitting), the man sits with the left foot flat and the right foot upright on its toes; the woman sits with both legs drawn out to one side (tawarruk-style), her feet extended to the right, not upright.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

prayer-postures-sequence

Eight square panels in the order of the prayer, one faceless man in a plain ankle-length garment and cap, flat dark-ink line art on off-white with the teal accent filling the part of the body each panel is about: (1) the opening takbir, standing with both hands raised beside the head, thumbs at the earlobes, palms forward; (2) standing, hands folded below the navel, right over left, gaze on the place of prostration; (3) bowing, hands at the knees; (4) standing up from bowing, arms at the sides; (5) prostration on forehead, nose, palms, knees and toes, elbows clear of the ground; (6) sitting between the prostrations on the flat left foot with the right foot upright on its toes, hands on the thighs; (7) the final sitting, the same, with the right index finger raised; (8) the salam, the head turned to the right. The panel numbers and labels are set in HTML, not drawn.

Author

islamicmanual.com

Made with

Google Nano Banana, from written briefs in docs/figure-prompts.md, background matched by scripts/prepare-panels.ts; each panel reviewed against the ruling it illustrates

Licence

CC0-1.0

Status

open

sick-person-prayer-postures

Three simple side-by-side figures showing how a person unable to stand prays. Figure 1: seated on a chair or on the floor in whichever posture is easiest, with two small arrows or angle-marks on the head showing a shallow bow for ruku and a deeper bow for sujood, so the two are visibly different in depth. Figure 2: lying on the back, feet pointing toward a labelled qiblah direction, the head slightly propped up and turned toward the qiblah, with the same pair of shallow/deep head-bow angle-marks for ruku and sujood. Figure 3: lying on the right side, face turned toward the labelled qiblah direction, used when lying on the back is not possible, again with the shallow/deep head-bow marks for ruku and sujood. Each figure is captioned with its situation ("sitting", "lying on the back", "lying on the side") and an arrow in each labelled "qiblah" so the direction being faced is unambiguous.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

prayer-times-sun-diagram

One day from true dawn to the next dawn, drawn as a horizontal timeline where there is room and as a vertical rail on a phone. Along the top, the sun's path: a dotted arc that rises from below the horizon at sunrise, peaks at the zenith and sets at sunset, with the night shaded either side and a sun disc at each of the six moments that open and close the windows (true dawn, sunrise, the zenith, the shadow beyond the zenith shadow reaching twice the object's height, sunset, the end of the white twilight) plus the next dawn. Below it, five bands in the accent colour for Fajr, Dhuhr, Asr, Maghrib and Isha, each running exactly between its opening and closing moments, with a gap between sunrise and the zenith in which nothing is due. The proportions follow a middling day of about twelve hours' daylight, so Fajr is short, Dhuhr the long middle, Maghrib brief and Isha the whole night. Every label is HTML in the site's type, in two staggered rows so none collide; the exact wording of each boundary is in the table beneath the figure.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

sai-safa-marwa

A simple horizontal diagram of the saʿy course. Two raised, labelled platforms bookend a straight covered walkway: 'Safa' on the left, 'Marwah' on the right. A dashed line runs between them showing the path walked. Partway along the path, two vertical green markers (drawn as thin green pillars or lights) are placed close together, with a shaded band between them labelled 'men jog here (harwalah)', the rest of the path is labelled 'walk'. An arrow beneath the path shows one full traverse counting as one round, with a small note '7 rounds total, starting at Safa, ending at Marwah'. No people or faces are depicted; flat line-diagram style in the site's accent colour, legible at a small size on a phone.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

throat-vessels-diagram

A simple labelled schematic diagram, in cross-section, of an animal's throat, showing the four vessels that must be cut for a valid slaughter (zabḥ): the trachea (nahrakha, the windpipe), the esophagus (mari, the food-pipe) running behind it, and the two jugular veins running alongside them on either side. Draw it as a plain educational schematic with simple labelled shapes and lines only, no blood, no realistic animal likeness, and no graphic detail beyond a simple outline of the neck showing the relative position of the four vessels.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

makharij-cross-section

A labelled cross-section of the human head, viewed from the side, showing the mouth, nasal passage and throat, with the seventeen articulation points (makharij) of the Arabic letters numbered 1 to 17 and each given a short leader line to its letters. In order: (1) the empty space between mouth and throat, for the letters of madd (waw sakin after pesh, alif sakin after zabar, ya sakin after zer); (2) the far throat near the chest, for hamzah and ha; (3) the middle of the throat, for 'ayn and ha (with a dot); (4) the near throat, closer to the mouth, for ghayn and kha; (5) the root of the tongue against the soft palate, for qaf; (6) just forward of that, toward the mouth, for kaf; (7) the middle of the tongue against the hard palate opposite it, for jim, sheen and non-madd ya; (8) the side edge of the tongue against the upper molars, for dad; (9) the tongue's edge near the molars against the gum, for lam; (10) the tongue-tip against the gum behind the upper front teeth, for nun; (11) the tongue-tip against the roof behind the upper front teeth, for ra; (12) the tongue-tip against the root of the upper front teeth, for ta, dal and emphatic ta; (13) the tongue-tip against the edges of the upper front teeth, for sad, za and sin; (14) the same region, for the distinct set za (emphatic), dhal and tha; (15) the inside of the lower lip against the upper front teeth, for fa; (16) both lips together, for ba, mim and non-madd waw; (17) the nasal passage, for ghunnah and the hidden nun and mim. Each numbered point has a clear leader line to a small label listing its letters in Arabic script, so a reader can locate in their own mouth where each sound is produced.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

tawaf-route

A simple overhead diagram of the Kaʿbah and its surrounding Mataf. The Kaʿbah is drawn as a plain rectangle, with the low semicircular wall of the Hijr (Hateem) shown against one side. The Black Stone corner is marked clearly with a small star or dot and the label 'Black Stone, start and end of every circuit'. A dashed circular arrow traces the tawaf path counter-clockwise around the Kaʿbah and around the outside of the Hijr wall (never through it), beginning and ending at the Black Stone corner. Maqam Ibrahim is shown as a small marker a short distance from the Kaʿbah, roughly in front of the door. No people or faces are depicted; the style is a flat, labelled line diagram in the site's accent colour against a neutral background, legible at a small size on a phone.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

tayammum-steps

Four square panels in step order, in the style of the wudu figure (flat dark-ink line art on off-white, no faces), with the site's ochre for dry earth and dust and the pale teal wash for the area that must be covered; there is no water anywhere: (1) two hands palms down on a flat patch of earth, fingers spread wide; (2) a blank face seen from the front, both palms laid on it, the face washed from the hairline to under the chin and ear to ear with a dashed boundary, a few dust dots on the hands; (3) the two hands lifted above a mound of earth, dust falling from them as the excess is shaken off; (4) the right forearm held across the body, the left hand's fingers laid on the back of the right hand, the hand and forearm washed up to and including the elbow with a dashed ring above it, an ochre arrow running up the outer forearm to the elbow and another returning along the inner side. The panel numbers and labels are set in HTML, not drawn.

Author

islamicmanual.com

Made with

Google Nano Banana, from written briefs in docs/figure-prompts.md, background matched by scripts/prepare-panels.ts; each panel reviewed against the ruling it illustrates

Licence

CC0-1.0

Status

open

masah-khuffayn

A side-on line drawing of a foot wearing a thick sock or leather khuff that covers the ankle. On the top (upper) surface of the sock, draw three short parallel curved lines running from the toes back toward the shin, representing the three fingers of a wet hand being drawn once over the top of the sock, do not draw the wiping motion on the sole or heel. Separately, on the toe area of the sock, mark a small dashed oval labelled 'about three toes' showing the maximum size a tear or hole may reach at the toes before wiping is no longer valid and the foot must be washed instead. Keep the two annotations (the wiping lines and the tear-limit oval) visually distinct.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

masah-quarter-head

A head seen from above (or three-quarter view), divided by a simple cross into four equal quarters. One quarter, the front-top quarter nearest the forehead, is shaded to show the minimum area that must be wiped (masah) with a wet hand. A small wet hand icon or set of parallel lines shows the wiping motion passing over that shaded quarter. Include a short caption distinguishing bare scalp (wipe the skin of the quarter) from hair (wipe a quarter of the hair), without depicting either in detail, the point of the diagram is the one-quarter area, not hair texture.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

wudu-face-boundaries

A simple front-on line drawing of a face, with two dashed guide-lines marking the boundary of the area washed in wudu: a horizontal line at the natural hairline of the forehead and a second at the bottom of the chin (the lengthwise boundary), and two vertical lines running from one earlobe down past the jaw to the other earlobe (the widthwise boundary). Shade the whole bounded area lightly to show it must all be washed. Add a small callout pointing to the inner corner of the eye (near the bridge of the nose) noting that dirt collects there and must be cleaned, and a callout on the jaw area between the cheek and ear labelled 'temple' to show it is included.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open

wudu-steps

Eight square panels in step order, each a flat line drawing in dark ink on off-white with one teal accent, the washed area filled with a pale teal wash and its limit marked by a dashed teal line, and no faces anywhere: (1) two hands palms up under a stream of water, washed to the wrists; (2) a head in profile, a cupped right hand carrying water to the mouth; (3) the same profile, the cupped hand under the nose with droplets rising to it and the left hand waiting below; (4) a blank face seen from the front, washed from the hairline to under the chin and ear to ear, both hands at its sides; (5) the right forearm held across the body under a stream, the left hand rubbing it, washed to and including the elbow; (6) the head from behind and above, both wet hands laid flat at the front hairline, the whole head washed; (7) the head from behind, index fingers in the ears, the ears and nape washed; (8) a bare foot on a low stool under a stream, the left hand rubbing it, washed to and including the ankle. The panel numbers and labels are set in HTML, not drawn.

Author

islamicmanual.com

Made with

Google Nano Banana, from written briefs in docs/figure-prompts.md; each panel reviewed against the ruling it illustrates

Licence

CC0-1.0

Status

open

zakat-recipient-categories-wheel

A circular wheel diagram divided into seven equal labelled slices, one for each category of zakat recipient named in this source document: (1) Fakir - the poor person, (2) Miskin - the needy person, (3) Aamil - the zakat collector, (4) Mukatab - a slave working to buy freedom, (5) Qardhar - the debtor, (6) Fi Sabilillah - one in the cause of Allah, (7) Musafir - the stranded traveller. Each slice carries the category's name plus a two-to-four word plain-English gloss (e.g. 'Fakir - has too little'). Use a single simple line-icon at the outer edge of each slice (a coin, an empty bowl, a collection satchel, a broken chain, a scale tipped by debt, a raised hand or banner, a footprint/road). Center of the wheel reads 'Who receives zakat'. Note: the source document lists seven categories, not the eight sometimes listed elsewhere (it does not include 'those whose hearts are to be reconciled'); the diagram must show exactly these seven, not eight.

Author

islamicmanual.com

Licence

CC0-1.0

Status

open